Down the Collector’s Rabbitt Hole
I’m not merely an obsessive music collector, I’m a nerdy, obsessive music collector. Actually, full disclosure, I’m a nerdy, obsessive compulsive music collector. Every item among my thousands of CD’s and hundreds of records is meticulously organized—first by genre, then by artist, release type (album, ep, single, compilation…), and within these artists and release types, everything is chronological. I will purchase and then keep several copies of an album, because there is a slight difference in the track list, or one version contains a bonus that another lacks. Everything is catalogued, too. Originally, before the prevalence of cataloging apps, everything was organized in a spreadsheet. This morning, I stopped short of squealing with delight over being able to scan the bar code of a Japanese import 7″ Bruce Springsteen single (“I’m Goin’ Down” b/w “Janey, Don’t You Lose Heart”) and have it pop up with cover photo, release notes, pricing details, and the social security number of the individual who manned the pressing machine at the plant (a little exaggeration, but you see what I’m getting at).
One thing I used to be, and find that I am not any longer, is a music snob. If I thought anything was too commercial, too mainstream, too middle of the road, it was open to derision. Then, I hit my thirties, and I found that it didn’t matter anymore. Good music is good music, and the above philosophy led to conflicts in my enjoyment of stuff I loved as a kid: Billy Joel, Huey Lewis and the News, John Mellencamp—at best qualifying something as a guilty pleasure—which is ridiculous. In the years since I have allowed myself to enjoy what I enjoy proudly and openly, and not judge a person (too) harshly when they like music I can’t stand, I’ve found that I enjoy music even more. You know what? “Scenes from an Italian Restaurant” is a great fucking song.
This topic was my conversational introduction to this week’s guest, someone I’ve seen around at events for years, but never really had a conversation with. Now that we’ve talked music, though, we might be best friends.
Dan Hull is the founder of The Storyline, a cornerstone of the Arizona storytelling community and a platform for live storytelling events hosted and produced by Hull. The most recent incarnation, The Storyline Slam, is a monthly competitive storytelling event which takes place at The Newton. To learn more, and even throw your name in the electronic hat for the next event, visit The Storyline website.