Monthly Archives: July 2018

The Blarg No. 82: Estrella Payton

Some fifty year old satire bearing a strange relevance in modern times, that’s one thing. That same satire bearing a strange relevance AND acting as a harbinger of events to come within the small matter of a couple of days? That’s just fucking nuts, but such was the case just this past weekend.

You may recall in the previous edition of this podcast my mentioning a then upcoming screening Stanley Kubrick’s 1964 masterpiece, Dr. Strangelove. In case you’re unfamiliar with it, the film satirizes Cold War tensions between Russia and the United States, and prominently features a very subdued, cordial, casual, perhaps overly friendly and un-statesmanlike manner. Pure farce, right? I mean, with the arms race and everything, the overarching story was more than plausible, but the absurdity was pretty far fetched.

Then the “summit” between Putin and Trump in Helsinki happened, and well, the whole fucking thing seems pretty closely fetched after that, right? That thing was a ball returned, thrown out into wilds, returned again, and…you get the idea. What the everloving fuck? Kubrick would look at everything going on right now and throw in the towel.

Now, I say this next bit knowing that I will vote my conscience in November, with the notion that enough other people will do the same, and some sort of change can happen, or at the very least someone might apply a tourniquet to stem the flow of blood currently gushing from the gaping wound that not only sidelined this country in terms of humanistic progress, but sent it backwards. The thing is, I don’t have a whole lot of hope. There’s a large percentage, or at least a very overbearing, vocal percentage of the population that has shown itself to be bigoted, small-minded, short-sighted, mean, and angry as fuck. There’s a lot of opposition, but it’s going to take more than rhetoric, it’s going to take mobilization—getting progressives to the polls. Not just the major races, either. I’m saying we need people with progressive ideology, or at the very least a sense of decency, to read through propositions, research candidates for committees, dig into the decisions of judicial candidates, because it’s the local races that are really going to make the difference. The senate and house are so hopelessly bought, paid for, and spineless. Local politics and policy are where we can make a difference and turn the nationalist, fascist tide.

And let’s make art that speaks to and against this jingoistic bullshit, shall we?

On this edition of Limited Engagement, artist Estrella Payton discusses her work, her acclimation to Phoenix, what it means to be “decidedly Midwestern,” community engagement through the arts, and how she strives to bring art to neighborhoods without the privilege of access through her role as Communications and Community Engagement Manager at the Phoenix Office of Arts and Culture. Estrella’s art is a visceral, endlessly fascinating exploration of the human condition and way we interact within the environs of the structure we impose on ourselves—both personally and inter-personally. You can view Estrella’s work on her website, as well as in-person this November as part of duo exhibition at Cochise College.You can view Estrella’s work on her website, as well as in-person this November as part of a duo exhibition at Cochise College.

Listen to LE 82 – Estrella Payton

Best,
Jared

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The Blarg No. 81: Chris Ayers

Perhaps the least enjoyable aspect of podcasting is the editing process. Well, really, the least enjoyable part of anything is the editing process. Actually, I take all that back. The worst part of a process that involves editing is editing your own work. That’s the worst. The worst for me, at any rate. Other people might really enjoy editing their own stuff, but I can’t stand it. I’m not one of those people who doubts the quality of their work—not anymore, anyway, at least not to the point that I let it get in the way.

Where was I going with that?

Oh, yeah, the whole point is that editing myself is the worst, because whether it’s written or audio, I have to deal with my own voice. Audio is the worst! Who wants to listen to themselves talk that much? I can’t be alone in this. Going back and forth over cut points, making sure the tracks sound right when they’re glued back together… It’s a weekly torture. By the time I put a show up, I’m ready to never hear it again. This has absolutely nothing to do with the person I’m talking to, or the quality of the finished product, it’s simply that I can’t stand to hear the sound of my own voice a moment longer than I have to.

As someone who has suffered from more than a little bit of self-doubt, it’s a wonder I manage to put anything out there at all, and it’s only due to years of feedback from people whose opinions I respect, forcing myself to view my own work objectively, and the cultivation of a strong, healthy “Fuck It” attitude that I keep on plugging away.

This is why I envy the role of a producer who isn’t also the host. The actual editing itself is fun, when it’s someone else’s work. I like doing it. When I edit Chatterpod, it’s great, because I’m not in any of it. I just get to listen back to the storytellers, cut out some of the mic handling noises and transitional silences, level out the sound, and post the episode. I think Limited Engagement is a good, quality podcast, but if I never had to hear myself again, I’d be totally cool with that. Which brings us to this episode’s guest, who gets to happily sit behind the boards, as it were.

Chris Ayers is the producer of On the Grid (hosted by prior guest, Phil Haldiman), as well as the art director at RightThisMinute, and he just started up an awesome passion project, PHX Film Collective, which is dedicated “to bringing culturally relevant cinema to Central Phoenix.” PHX Film Collective’s first event, a screening of Dr. Strangelove, takes place at the Phoenix location of Changing Hands on Saturday, July 14th, at 7:30 pm. Be sure to follow PHX Film Collective across social media platforms for more information on this screening and future events.

Listen to LE 81 – Chris Ayers

Best,

Jared

 

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