Category Archives: Performance Art

The Blarg No. 90: The Blood Feud Family Singers

It’s in the mail, that green envelope that holds all my hope for knocking the juggernaut of horror off of its current path of destruction—sidelining it for just a little while so I can catch my breath. Who knows what kind of impact my singular vote will have? All I can do is fervently hope that enough people have a similar dissatisfaction with the current direction of things—whether that’s the recent additions to the Supreme Court, the withdrawal from the Paris agreement, the ban on transgender military service, or any number of other politically, socially, and scientifically regressive policy decisions—that they vote accordingly.

I love the convenience of early voting, but I feel a little bit robbed of the voting experience this time. This is probably the most important election of my roughly twenty years of voting eligibility, or at least it feels that way, and a part of me wishes that I had the experience of waiting in line, standing in a booth, and turning in my ballot in-person.

I’m also a little bit paranoid. With all of the reporting on election tampering of late, I have a desire to follow my envelope on its journey from mailbox to tabulation—just to make sure everything gets counted correctly. It’s all out of my hands, though, and all I can do now is wait and watch the returns.

Anyway, on to this week’s show:

The Blood Feud Family Singers started out when The Haymarket Squares would sit in on Darryl Scherrer’s songs, not entirely unlike Linda Ronstadt and the Eagles. From there, Scherrer and the Square’s Marc Oxborrow thought it would be a great idea to put a band together (they explain it much better in the interview). The band has one album out, No Moon, and they will release their new album, Adversary, on Sunday, November 11th, with an album release show at Last Exit Live at 7:30 pm.

On this, the 90th Limited Engagement, Marc Oxborrow and Darryl Scherrer discuss everything from the formation of The Blood Feud Family Singers, to songwriting, to Darryl taking a pizza order from Tom Waits. Be sure to check out their new album, Adversary, and stick around until the end of the show to hear a track from the album.

Best.

Jared Duran

Listen to LE 90 – The Blood Feud Family Singers

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The Blarg No. 46: Ernesto Moncada Pt. 2

I find myself compelled to write about delusions this week. Generally speaking, we delude ourselves all the time. I know that I’ve uttered classics such as, “Everything’s fine,” “No worries,” and “I got this” on countless occasions. You may see a theme there—my self-deluded states tend to center themselves around ignoring, glossing over, or denying the existence of problems. They’re never big problems, because I’m also a realist. If there’s a big problem, I am much more likely to openly admit, “Oh, yeah, things are not cool, I am totally, completely, utterly fucked.” You’ve got to acknowledge the big issues immediately, because they have the tendency (read: absolute certainty) of rolling along and attracting other issues to the point where—to use one of my all-time favorite phrases—everything goes tits up and you find yourself hurtling through the jungle being chased by a huge fucking boulder, carrying a golden idol, and Alfred Molina says he’ll throw you the whip if you throw him the idol, but he’s a lying fuck and leaves you for dead. That is how things look to me right now. The government is both Alfred Molina and the boulder, and the yawning chasm across which we have to jump is highly representative of the one between the president’s ears. Oh, and the poisoned blow darts hurtling our way at high speed are really fucking stupid tweets. So, to answer the question you didn’t ask, yes, the opening sequence of Raiders of the Lost Ark is the perfect analogy for the straits we find ourselves in.

Some delusions probably serve a positive purpose, right? After all, as creative people, we have to shield ourselves with something, or we’d all just give up and go cry ourselves to sleep every night. Confidence, I think, is at least to some degree a delusion. You gotta fake it until you make it. At some point, if you’re lucky, through success—however one wants to measure that—the ratio of earned, experiential confidence to simply talking yourself up in order to put your work out there, or go for that job, or try out for that part, whatever, tips in the former’s favor, and “I got this” ceases being a functional delusion and becomes certainty, and you know which cup is the Grail, you choose wisely, you save Sean Connery and ride off into the sunset with your buddies. I figured I’d round things out with another Indiana Jones reference, and Last Crusade is unarguably the 2nd best film in the franchise.

This week’s show is part deux of my conversation with Ernesto Moncada. I’m sure I said something last week, but I really enjoyed talking to Ernesto, and I’m excited for you to hear the rest of our conversation. There is more on the notion of things lost in translation, we get to hear some about his experience transitioning from the Mexican literary scene to the arts and culture scene here in Phoenix, and much more.

Best,
Jared

Listen to LE 46 – Ernesto Moncada Pt.2

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The Blarg No.45: Ernesto Moncada Pt. 1

Success is something that has always been difficult for me to accept and recognize for what it is. It isn’t that I’m not proud of what I do, or that I think it isn’t good, I just don’t expect other people to enjoy or appreciate it, let alone champion it in any way. I am always so suspicious of any sort of praise or recognition that my artistic endeavors garner—whether that is Limited Engagement, any of my writing, or actual artwork (as I dip my pencil back into that realm)—that my knee jerk reaction is to first show gratitude (I like to think I’m not a rude individual), and then immediately begin dismissing it, brushing it off to the side, looking to see if the person behind it is working some angle, or whether there is a qualifying “but” or “if only” clinging to the underbelly. I am in a perpetual state of waiting for the other shoe to drop. In my mind, success is something that happens to other people.

Why am I bringing this up? Well, Limited Engagement was named Best Podcast in this year’s edition of PHOENIX Magazine‘s annual Best of the Valley issue, which is awesome! It means that people like the show. Even more important, people are listening! I’m not just some guy sitting in his office at home ranting out into the ether! I really do feel proud of this achievement, and I am thankful to the folks at PHOENIX Magazine for the recognition—it really does mean a lot to me. However, you read all that stuff in the first paragraph, right? I am trying really hard to simply enjoy the moment. It’s a struggle, but I think I’m getting there.

This week’s show is the first of another two-parter. I packed the recording gear into a bag, traveled down to Ernesto Moncada’s place, and we sat at his kitchen table discussing anything that came to mind. There was very good coffee involved. Ernesto pretty much does it all: he’s a writer, actor, teacher, comedian, artist, he just directed a wonderful version of Paul Auster’s Laurel and Hardy Go to Heaven, and he’s a wizard on the stilts. No, that’s not a typo. Ernesto’s got some amazing stories, and it was a great conversation.

Best,

Jared

Listen to LE 45 – Ernesto Moncada Pt. 1

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