Tag Archives: Dan Hull

The Blarg No. 77: Jason Keil (plus a mini talk w/Dan Hull)

I had two conversations this weekend that made me think about religion. Specifically my personal relationship with religion, which, to be perfectly honest, isn’t that great.

One, with poet Katie Manning, made me consider religion and religious imagery as it appears in my writing, which is not often, but it does. That conversation will go up soon. The other conversation was with friend and neighbor Dan Hull, a short one that you can hear at the beginning of this edition of the show.

Dan has a film premiering on May 25th at The Newton called Bad Buddhist, and he invited me over to watch it with him. A recording of a fantastic one man show he staged at Space 55 a few years ago, the film mines veins of love, ritual, imperfection, and man’s inhumanity to man. Serious stuff, but it’s very funny as well, and the Buddhist lens through which everything is filtered serves to somehow make the film universally relatable in its specificity. The Buddhist rituals that Dan incorporates into the show connected me to memories of donning a yarmulke and saying the prayers as a kid. The ritual and the language of that came back to me instantly, and in Hebrew, too, and it’s easily been 20 years since I participated in anything remotely Jewish from a spiritual standpoint. Cultural and social Jewishness is inescapably ingrained in my personality makeup, but I was surprised, especially as a non-spiritual person, to find myself sort of missing the ritual, and it went a long way towards explaining a lot of my need for organization and routine. It’s something I’m going to have to really think about for a while, which I believe speaks directly to how powerful the film is. You should go see it on the 25th at 7 PM. If you can’t make it to the screening, visit the Bad Buddhist website and contact Dan for the Vimeo link.

Surprisingly, this weaves perfectly into my conversation with writer Jason Keil. Jason is a frequent contributor to The New Times, as well as other publications, and I highly recommend checking out his work. I connected with Jason via Twitter, and it did not take long for us to connect on a primally nerdy level. Jason is the sort of person that I can talk to endlessly about pop culture, so it was really hard to keep this conversation on the rails—which I swear I try to do despite all the evidence to the contrary. In addition to all the shared interests, Jason is just a really amazingly nice guy, and he’s so genuinely enthusiastic and in awe of the fact that he gets to do something he loves and is passionate about and in some way contribute to the pop culture fabric, that I want as many people to read his work and support him as possible. Check out Jason’s website, and be sure to follow all of his social media accounts.

One last quick note, a little bit of business, Hoot N Waddle is officially open for manuscript submissions. We’re currently accepting Poetry, Fiction, and Creative Non-Fiction. You can visit the Hoot N Waddle site, or go directly to our Submittable page to read our guidelines.

Best,
Jared

Listen to LE 77 – Jason Keil (plus a mini talk w/Dan Hull)

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The Blarg No. 62: Dan Hull

Down the Collector’s Rabbitt Hole

I’m not merely an obsessive music collector, I’m a nerdy, obsessive music collector. Actually, full disclosure, I’m a nerdy, obsessive compulsive music collector. Every item among my thousands of CD’s and hundreds of records is meticulously organized—first by genre, then by artist, release type (album, ep, single, compilation…), and within these artists and release types, everything is chronological. I will purchase and then keep several copies of an album, because there is a slight difference in the track list, or one version contains a bonus that another lacks. Everything is catalogued, too. Originally, before the prevalence of cataloging apps, everything was organized in a spreadsheet. This morning, I stopped short of squealing with delight over being able to scan the bar code of a Japanese import 7″ Bruce Springsteen single (“I’m Goin’ Down” b/w “Janey, Don’t You Lose Heart”) and have it pop up with cover photo, release notes, pricing details, and the social security number of the individual who manned the pressing machine at the plant (a little exaggeration, but you see what I’m getting at).

One thing I used to be, and find that I am not any longer, is a music snob. If I thought anything was too commercial, too mainstream, too middle of the road, it was open to derision. Then, I hit my thirties, and I found that it didn’t matter anymore. Good music is good music, and the above philosophy led to conflicts in my enjoyment of stuff I loved as a kid: Billy Joel, Huey Lewis and the News, John Mellencamp—at best qualifying something as a guilty pleasure—which is ridiculous. In the years since I have allowed myself to enjoy what I enjoy proudly and openly, and not judge a person (too) harshly when they like music I can’t stand, I’ve found that I enjoy music even more. You know what? “Scenes from an Italian Restaurant” is a great fucking song.

This topic was my conversational introduction to this week’s guest, someone I’ve seen around at events for years, but never really had a conversation with. Now that we’ve talked music, though, we might be best friends.

Dan Hull is the founder of The Storyline, a cornerstone of the Arizona storytelling community and a platform for live storytelling events hosted and produced by Hull. The most recent incarnation, The Storyline Slam, is a monthly competitive storytelling event which takes place at The Newton. To learn more, and even throw your name in the electronic hat for the next event, visit The Storyline website.

Best,
Jared

Listen to LE 62 – Dan Hull

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