I’m working on something very exciting and very big. Well, I think it’s very exciting and very big, but I can’t talk about it. I hate that. When I’ve got an idea cooking that can lead to something awesome, I want to talk about it with everyone who asks me what I’m up to. Unfortunately, that same stage where I want to tell everyone about something is the same stage where the idea tends to fall apart, because people aren’t as excited as I am, or they try some devil’s advocate sort of thing. All of it is well-intentioned, I’m sure, but it also has an awful deflating effect on me which often leads me to abandon the idea, to lose faith in it. I’m not letting that happen this time. This idea is too important—direction of life changing level.
In the meantime, I’ll settle for teasing the idea and hope that in itself will generate some excitement and keep me going. There is a lot of groundwork ahead—a lot of meetings, conversations…hard, organizational shit that is not my strong suit, that I loathe doing. I am much more of an idea man, like Michael Keaton’s character in Night Shift (if you haven’t seen that movie, I highly recommend you do so). In a perfect world, I’d offer up the idea, the motivation behind it, and then someone else would swoop in and take care of the logistics, but what are you gonna do? Anyway, as they say, watch this space.
This week’s episode is a conversation with Sean David Christensen. Sean is promoting his short film, The Duel, which has had screenings at the Athens International Film and Video Festival and the San Francisco Documentary Festival, and can be seen at the Marfa Film Festival this July. He’s also done a number of other short films which you can find on Vimeo, he’s a frequent storyteller at Chatterbox and Bar Flies, and he’s in the band Maggie Dave. I had a great time talking to Sean, and you should definitely check out his work. The soundscape at the end of the show was created by Rafael Anton Irisarri.