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The Blarg No. 90: The Blood Feud Family Singers

It’s in the mail, that green envelope that holds all my hope for knocking the juggernaut of horror off of its current path of destruction—sidelining it for just a little while so I can catch my breath. Who knows what kind of impact my singular vote will have? All I can do is fervently hope that enough people have a similar dissatisfaction with the current direction of things—whether that’s the recent additions to the Supreme Court, the withdrawal from the Paris agreement, the ban on transgender military service, or any number of other politically, socially, and scientifically regressive policy decisions—that they vote accordingly.

I love the convenience of early voting, but I feel a little bit robbed of the voting experience this time. This is probably the most important election of my roughly twenty years of voting eligibility, or at least it feels that way, and a part of me wishes that I had the experience of waiting in line, standing in a booth, and turning in my ballot in-person.

I’m also a little bit paranoid. With all of the reporting on election tampering of late, I have a desire to follow my envelope on its journey from mailbox to tabulation—just to make sure everything gets counted correctly. It’s all out of my hands, though, and all I can do now is wait and watch the returns.

Anyway, on to this week’s show:

The Blood Feud Family Singers started out when The Haymarket Squares would sit in on Darryl Scherrer’s songs, not entirely unlike Linda Ronstadt and the Eagles. From there, Scherrer and the Square’s Marc Oxborrow thought it would be a great idea to put a band together (they explain it much better in the interview). The band has one album out, No Moon, and they will release their new album, Adversary, on Sunday, November 11th, with an album release show at Last Exit Live at 7:30 pm.

On this, the 90th Limited Engagement, Marc Oxborrow and Darryl Scherrer discuss everything from the formation of The Blood Feud Family Singers, to songwriting, to Darryl taking a pizza order from Tom Waits. Be sure to check out their new album, Adversary, and stick around until the end of the show to hear a track from the album.

Best.

Jared Duran

Listen to LE 90 – The Blood Feud Family Singers

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The Blarg No. 84: Brandon Kellum

Getting Ready for Launch

We are undeniably living in interesting times. In any way you want to interpret that phrase—good and bad. Well, I take that back, because I don’t know what your situation is. Maybe for you, everything is shit right now. If it is, I’m sorry, I hope things get better for you. I’m trying to get away from the inclusive you and the royal we. It creates distance and only serves to generalize the specific. You probably don’t care, and here I’m using “you” correctly and on purpose, but I do.

Let’s start over.

I’m living through interesting times. Good and bad. It’s like a crazy-ass roller coaster. I hate roller coasters. I’m coming to grips, though, with the reality that this is just how my brain works. Some of the forces are external—how can I not absorb all the awfulness? I’ve had to severely limit my exposure to the news. I already can’t watch the news (with the exception of the highly condensed “Last Week Tonight”), I’m beginning to not be able to take listening to the news either (shout out to my local NPR station, KJZZ—when I do listen, I listen to you). I’m making myself read the news, because it’s important to stay informed, but it’s really hard, especially if your a sensitive person such as myself, to not just shut it all off. Vote. Vote your conscience.

Politics aside, it’s still interesting. This podcast continues to grow (thank you all so much for listening and spreading the word about this podcast), Hoot n Waddle is beginning to take off (you can pre-order our first book, DOGSEAR by Chris Danowski, at http://hootnwaddle.com/dogsear), we’ve (and here I’m referring to myself and Janell and Hoot n Waddle, so I’m using “we’ve” on purpose) got a lot of projects in the works. I’m constantly busy working on things I love. That’s the good part of the interesting times.

However, I’m also freaking out. What do I mean by that? Well, as I’ve discussed, I’m a very depressive person. It doesn’t take much to send me into a spiral. Also, and this seems to be more recent, I’m constantly feeling anxious, and I’ve begun to have actual anxiety and panic attacks (there must be a difference—it feels like there’s a difference…). Also, I’ve started having anger issues. Not physical or violent anger, but it doesn’t take much to trigger a negative emotional response. My patience is almost nonexistent. Also, suddenly certain Springsteen songs (“The River,” an acoustic version of “Thunder Road,” “One Step Up”) make me well up every time I hear them. I don’t know. It sucks. I’m certain I need therapy, but I can’t seem to make myself take the leap.

I had wanted to use this edition of The Blarg to promote the DOGSEAR book launch. I wound up writing all this instead. I’m going to leave it all in. If you’re interested in details about the book launch, visit the Hoot n Waddle Facebook page. All the details are there.

About this edition of Limited Engagement:

A founding member and lead vocalist of the Phoenix, Arizona based hardcore punk band American Standards, Brandon Kellum is also a regular contributor to YabYum Music + Arts, as well as the founder of the nonprofit organization, Heart Shaped Canvas. On this episode, Brandon discusses his musical odyssey, songwriting, life on the road, and much more. American Standards’ latest single, “Weep,” is available on Bandcamp, as is their latest album, the critically lauded Anti-Melody. The band was recently featured as one of the 12 bands to watch out for this year by Alternative Press, and they’ll be playing The Nile in Mesa, AZ on September 3rd.

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The Blarg No. 71: Doug Bale

I can tell you exactly when and where I first heard the music of Doug Bale. It was Thursday, May 30th, 2013 at The Most of Lit Lounge at the Scottsdale Museum of Contemporary Art. I went because my uncle, Scott Krause, was part of the lineup which also included Tania Katan, Leslie Barton and Where Are All the Buffalo. It was a great show, but I remember being particularly struck by Doug’s sound, which managed to sound like music I loved without being derivative. I really dug it. I dug Doug.

So, when I started this podcast, Doug was one of the first people I wanted to have on. For reasons that will become clear when you listen to our conversation, it was not a good time for Doug to be on the show. I didn’t know that then, though, and then Doug just kind of disappeared. Well, he didn’t really disappear, but he might as well have, having first scooted to California, and then exiling himself in Apache Junction. Well, maybe it wasn’t exile, and my apologies to the residents of Apache Junction, but it sounds like exile to me.

When I heard that Doug had a new music project he was working on, I was ecstatic. I was like, Doug, there’s no excuse now, do the show, and he said, let’s do it, so here you go. It’s one of the strangest, best conversations I’ve had on this show, and it illustrates why I leave so much in all the time. I know some listeners would prefer I cut things down, keep it around an hour, and that would actually probably help me out as far as making the show more commercial, but that would ruin the journey. We had a really serious conversation about some deep shit, but to get there, we also had to joke around about lemons and DJ Boboli, and go off on a long R.E.M. tangent in order to get to the deep stuff.

Quick note: Doug wanted me to let you all know the name of the book he was referring to on why we read is called All Things Shining.

Another quick note: Doug gave me permission to put one of his new Flighty Tronys tracks at the end of the show, so be sure to listen all the way to the end. The new tracks are great!

Doug Bale is an artist and musician. His artwork has been featured in galleries around Phoenix, and you should absolutely check out his Society 6 page and buy some. His new musical project, Flighty Tronys has released its first EP (available on Bandcamp, Google Play Music, iTunes, and Spotify), and you should get the companion t-shirt. Oh, and go listen to Mergatron while you’re at it. Basically, support Doug. He’s awesome.

Listen to LE 71 – Doug Bale

Best,
Jared

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