Tag Archives: Podcast

The Blarg No. 77: Jason Keil (plus a mini talk w/Dan Hull)

I had two conversations this weekend that made me think about religion. Specifically my personal relationship with religion, which, to be perfectly honest, isn’t that great.

One, with poet Katie Manning, made me consider religion and religious imagery as it appears in my writing, which is not often, but it does. That conversation will go up soon. The other conversation was with friend and neighbor Dan Hull, a short one that you can hear at the beginning of this edition of the show.

Dan has a film premiering on May 25th at The Newton called Bad Buddhist, and he invited me over to watch it with him. A recording of a fantastic one man show he staged at Space 55 a few years ago, the film mines veins of love, ritual, imperfection, and man’s inhumanity to man. Serious stuff, but it’s very funny as well, and the Buddhist lens through which everything is filtered serves to somehow make the film universally relatable in its specificity. The Buddhist rituals that Dan incorporates into the show connected me to memories of donning a yarmulke and saying the prayers as a kid. The ritual and the language of that came back to me instantly, and in Hebrew, too, and it’s easily been 20 years since I participated in anything remotely Jewish from a spiritual standpoint. Cultural and social Jewishness is inescapably ingrained in my personality makeup, but I was surprised, especially as a non-spiritual person, to find myself sort of missing the ritual, and it went a long way towards explaining a lot of my need for organization and routine. It’s something I’m going to have to really think about for a while, which I believe speaks directly to how powerful the film is. You should go see it on the 25th at 7 PM. If you can’t make it to the screening, visit the Bad Buddhist website and contact Dan for the Vimeo link.

Surprisingly, this weaves perfectly into my conversation with writer Jason Keil. Jason is a frequent contributor to The New Times, as well as other publications, and I highly recommend checking out his work. I connected with Jason via Twitter, and it did not take long for us to connect on a primally nerdy level. Jason is the sort of person that I can talk to endlessly about pop culture, so it was really hard to keep this conversation on the rails—which I swear I try to do despite all the evidence to the contrary. In addition to all the shared interests, Jason is just a really amazingly nice guy, and he’s so genuinely enthusiastic and in awe of the fact that he gets to do something he loves and is passionate about and in some way contribute to the pop culture fabric, that I want as many people to read his work and support him as possible. Check out Jason’s website, and be sure to follow all of his social media accounts.

One last quick note, a little bit of business, Hoot N Waddle is officially open for manuscript submissions. We’re currently accepting Poetry, Fiction, and Creative Non-Fiction. You can visit the Hoot N Waddle site, or go directly to our Submittable page to read our guidelines.

Best,
Jared

Listen to LE 77 – Jason Keil (plus a mini talk w/Dan Hull)

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The Blarg No. 76: Omar Pimienta and Jose Antonio Villaran

First, the cat update. For anyone following our Instagram account (@limitedengagement), you know that we are once more sharing our home with a cat—and I purposely don’t say “own,” because I don’t think you ever really own a cat, they’re more kind of like that free-loading roommate who doesn’t clean up after themselves or pay their share of the rent. Her name is Susuwatari, after the little black soot creatures in the Miyazaki film My Neighbor Totoro. We’re calling her Susu for short. The name seems to suit her. She is, as was Alison (my previous cat, for newer listeners), a rescue from the Humane Society. Black cats are often mistreated and are hard to adopt out, and I have a fondness for them, so I do what I can. Susu has certainly dealt with some trauma (on top of being recently spayed, she’d been abandoned, and was pregnant), but she’s settling in nicely. She and Gizmo are still working out the kinks in their relationship, it’ll be fine. She’s weird, he’s weird—she likes having her belly rubbed, which is not a normal cat thing, and she likes headbutting stuff.

I spent some time writing poetry on demand again. This time it was for Independent Bookstore Day over at Changing Hands Phoenix. My second time now, and again I found it very freeing creatively. I’ve seen some of the writers I’ve done this with make notes and write rough drafts prior to typing up their finished pieces, but I composed one draft on the typewriter, and that was it. I’d never pretend that’s the best way to go about it, but it works for me. The Changing Hands requests were much more difficult than the ones I got on Roosevelt Row. For starters, I had to write a couple of poems suitable for children, then there was the woman who wanted something happy about retiring on a farm with pumpkins, goats, and chickens. About a third of the people wanted something happy. I don’t do happy.

All told, over the course of about 4 hours, I wrote 18 poems, which is nothing to sneeze at. They weren’t all great, but I actually really liked a few of them that I’ll probably rework and hang onto. I’ll post my favorites up on Instagram.

We went to see Infinity War last night, and I’ll probably talk a little bit about my impressions when I record the next Hoot N Review this week with Jenna Duncan, but I loved it. We’ll see where it falls in the rankings over time, but I think it’s possibly their best. At this point, they’ve reached a critical mass as far as the amount of characters goes, but they pulled it off. For a while there, I thought I was watching a Paul Thomas Anderson film with amazing special effects.

I had the opportunity recently to sit down with Omar Pimienta and Jose Antonio Villaran, the writer and translator respectively of The Album of Fences (available now from Cardboard House Press). With everything hitting the fan right now, it seemed like the perfect opportunity to have this discussion on the poetics and poetic politics of borders, the responsibility of artists (of all disciplines) to create work that speaks out against the prevailing rhetoric of fascism, social regression, and hatred. We got deep.

Best,
Jared

Listen to LE 76 – Omar Pimienta and Jose Antonio Villaran

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The Blarg No. 75: Stina Sieg

Writing without filters

Not too long ago, I copped to having a bout of writer’s block—which makes it sound like a cold or virus, something you can get rid of with bed rest and vitamin C, and I suppose it sort of is in a way. Now, I’ve had plenty of orange juice, but not so much in the way of sleep, so that block still seems to be hanging on, but I can move around it.

One of the ways that seems to work is introducing a random element. A concept that, whenever it comes up, always makes me think of that passage in The Hitchhiker’s Guide to the Galaxy where Ford and Arthur are stranded on prehistoric Earth and they hit upon the idea of pulling the great question of Life, the Universe, and Everything out of Arthur’s brain by having him pull letters out of a Scrabble bag. To that end, I said yes to participating in a pair of events where I write poetry on demand. One of the events is done and dusted, and not having done anything quite like it, it was intimidating and exhilarating all at once. It was First Friday out on Roosevelt Row, and I was a writing machine. No time to edit, no time to filter. I asked the person making the demand a few questions, jotted down some notes, and off I went—free-associating like a motherfucker.

I don’t think I’d say writing like this completely removed the block, but I was able to at least work around it and write some things that people were happy with and I thought were pretty decent for being on the spot. If you’re interested, I’ll be doing it again down at the Phoenix Changing Hands location for Independent Bookstore Day on April 28th. Noon to 3 pm I think.

Another thing I started doing to get around my writer’s block is storytelling. I’m okay at it, and I think I’m getting better, but my guest for this edition of Limited Engagement, Stina Sieg, is a great storyteller. I’ve had the pleasure of seeing her tell stories at Dan Hull’s monthly Storyline Slam, and she’s fantastic. Not to mention she’s one of the team of journalists on KJZZ who make my daily commute to and from work bearable.

Listen to the conversation on Apple Podcasts, SoundCloud, Google Play Music, Stitcher, and here:

LE 75 – Stina Sieg

Best,

Jared

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The Blarg No. 74: Carly and Mark of Yab Yum Music and Arts

A couple nights ago, I sat with Janell—you know what, as I’m typing this, I realize that it’s the damn opening to “Simple Twist of Fate”: we “sat together in the park/as the evening sky grew dark.” At this point in history, I’m pretty sure that if people have done it, Bob Dylan’s written it down. And if there’s anything Bob missed, then Leonard Cohen took care of it.

Anyway, the park was the front lawn of Desert Song Yoga, and the occasion was a show featuring Jon Rauhouse and Robin Vining. I was under the impression that I’d never seen Vining play before, but I must have seen him play with Minibosses at some point. I’d never seen him solo or in Sweetbleeders, though, and I thoroughly enjoyed it. I’ve seen Jon play a number of times now, either with Neko Case, The SunPunchers, or as a duo with Betsy Ganz, but not as a bandleader, and it was the highlight of the night. Joining Jon onstage was his wife Jennifer, Megyn Neff, Vining, and a trombone player who I thought was really good, but whose name I didn’t catch. Aside from the fact that the music was fantastic, they looked like they were having such a blast up there playing together and enjoying each other’s company—it was a moving and infectious thing to witness. That’s the kind of joy in work I’m looking for. It’s getting there.

Speaking of…

If you happened be looking at Facebook this weekend, you might have caught the Hoot n Waddle announcement. If not, I’ll recap it briefly in this space. DOGSEAR. by Chris Danowski is HnW’s first book. We just got our proof copies back from the printer, and they look great. It’s all very exciting and real now. We’ll start taking pre-orders in June, and the official release will take place in mid-September. If anyone reading this is interested in reviewing the book for a media outlet, I have a few physical proof copies available, or I can provide a PDF copy. Email me at hootnwaddle@gmail.com.

On this edition of the show, I talk to Carly Schorman and Mark Anderson of Yab Yum Music and Arts. We discuss the origins of Yab Yum, how it’s evolved into an arts and culture beacon for Arizona, and some of the exciting projects they’ve got in the works. We also compare book collections. It was a blast talking to them, and you should definitely check out the happenings at the Yab Yum website and keep up with them on social media.

Listen to LE 74 – Carly and Mark of Yab Yum Music and Arts

Best,
Jared

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The Blarg No. 72: Mop and Bucket Press

It’s going to be okay. This is what I keep telling myself. Everything will be fine. The muse occasionally finds another partner. I’m in one of those phases. A spiral. It happens. No big deal. Sometimes I get depressed and feel like I’m not capable of anything good. I know that’s not the case, but I can’t escape the feeling. Over the years, I’ve learned to cope with my head problems. I’m not perfect at it by any means, but generally speaking, I can get by well enough by reminding myself this is just a passing thing. I think that all creative types go through this at some point or another—and some more often than most. There is this looming, perpetual fear that you will never create again, that you will never live up to the way others perceive you and you have presented yourself.

This one’s bad, though. At Chatterbox last week, I went up to tell a story that I had down. I knew all the beats, where all the threads tied together. I went up to the mic, started the story, everything felt great, I hit my first beat, and then… I just totally lost it. Thread gone—the whole thing completely unraveled. I’ve been doing this long enough now that it wasn’t enough to send me running from the mic. I rambled my way through for a few minutes, hoping I’d get it back, but it never happened. I just went off on some semi-related political tangent that was absolutely not part of the story I was planning to tell. It was awful.

I don’t know. I’m tired, I’m stressed out, I have a lot of anxiety right now. None of that makes for a healthy creative atmosphere. Whatever. It’s going to be okay.

If you missed it, there was an announcement. Hoot n Waddle, which is the company Janell and I started that has found its purpose as a hub for arts and culture podcasts based in Phoenix, is also taking on publishing. It’s big stuff, and if you want to know more about what’s going on, you should check out the Hoot n Waddle website and follow our social media accounts.

On this edition of the show, I talk to Levi Smith and Kenny Puckett who are the creative team behind the comic Sleight of Mind and Mop and Bucket Press. It’s a great conversation about enduring friendship and creative synergy, as well as not giving up on your dreams and passions. That sounds corny, but it’s not. Levi and Kenny are great guys, and their comic is really cool, so you should check out their site, follow them on social media, and check out their merch.

Listen to LE 72 – Mop and Bucket Press

Best,
Jared

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The Blarg No. 70: Collette Sipho Mabingani

70 in the bag!

I’m not even sure what that means, or if it means anything at all, but I like the sound of it. I don’t think I’ll make a really big deal until we get to 100, but 70 is pretty significant—to me at least. I don’t know that I’ve ever done 70 of anything. At least not something I’ve put out into the public consciousness.

The coming months are going to be exciting—scary and exciting—for myself, for Limited Engagement, for Hoot n Waddle (the company Janell and I started), and I hope you’ll come along for the ride—maybe even encourage others to join us for that ride. Announcements are coming soon, and I couldn’t be happier, or more anxious. It’s a freakin’ roller coaster.

Now, to the show at hand.

Last month, I went to Caffeine Corridor to see friends and prior guests of the show, Rashaad Thomas and Jack Evans. Rashaad’s reading was amazing—it had been a while since I’d seen him read a whole set, and his work is powerful, musical, dark, but hopeful. Jack’s reading was fantastic as well, featuring Tom Bell on guitar, and someone I’d never seen before, Collette Sipho Mabingani on percussion and guitar. At one point during the night, Collette played some original compositions solo, and I was like, this is brilliant, I have to get this guy on the show.

My conversation with Collette is unlike any I’ve had to date. He talks openly about growing up in South Africa during Apartheid, his relationship with Nelson Mandela, how music provided an escape from the horror and a path to a better life in the United States. It’s an amazing immigrant story at a time when the current political regime seems hellbent on destroying and killing that spirit.

Collette Sipho Mabingani is a composer, instrumentalist, and educator. During his teenage years, he performed with many bands of various genres, honing his self-taught musical skills, while using the platform of music to stand firm against apartheid, often at his own peril. Mabingani has performed for many dignitaries including Nelson Mandela and performed many venues including a five-year tour of the United States, and a six-month Europe tour. The creative approach for Mabingani is to utilize music from other global cultures in conjunction with South African music to create a unique blend of world music. Underlying his passion for world music is his experience of the transformational power of uniting sounds from across the globe to create unique, fresh, and inspirational music that can be appreciated by people from all walks of life.

Listen to LE 70 – Collette Sipho Mabingani

Best,
Jared

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The Blarg No. 69: Jenna Duncan

I’m not gonna lie, I’ve had a hell of a time coming up with this edition of The Blarg. Sometimes they flow, and sometimes they don’t. This time it REALLY didn’t flow—no matter how many chips I ate, or how long I stared at the screen, so this one is going to be pretty brief, but don’t let that reflect on the episode, because it’s one of my favorites so far.

I do have a couple of things to plug if you’ll permit me that indulgence. I’m not really sure why I phrased it that way, because I’m about to do it regardless. The Blarg isn’t really democracy, is it? I write something, and either you read it or you don’t. That’s the way it should be.

This Thursday, January 25th at 7pm, I’ll be sharing a story as part of the lineup for this month’s Storyline Slam at the Phoenix Changing Hands location. Tickets are $6 in advance, $8 at the door. The theme is “music.” I may have a story or two (thousand) that fits in.

Last week, I went on at length about my feelings regarding the way the Insight II project went down. Outside of those feelings which had to do with the venue and the way the organizers failed to communicate the affiliations of that venue or their politics, I’m actually really proud of the work I did in collaboration with artist Ryan Parra. If you want to see/read that work, you can pick up the chapbook published by Four Chambers Press. Pick up any of the other 17 chapbooks containing the writer/artist collaborations for this project while you’re at it. The work is stunning—focus on the work.

You may know Jenna Duncan from her work for JAVA magazine, her participation in storytelling events around the valley (including Untidy Secrets and Chain Letter), or more generally for her integral role in the Phoenix arts scene. In addition to JAVA, you can read Jenna’s work in the anthology The Grey Alley: Vol. 2 from Empty City Press; you can also see her on Check Please, Arizona on PBS on January 25th at 7pm (available now for Arizona PBS Passport members); and she will be taking part in a reading on February 3rd at 7pm coinciding with an upcoming art sale for Phoenix Nasty Women Unite benefiting Planned Parenthood (location TBA, though probably Grand ArtHaus or {9}).

This show with Jenna is a long one. I tried editing it down, but on listening back to it there wasn’t much I felt I could cut (except for all the “you know”s—I said that a lot this time, sorry about that). This conversation with Jenna is one of the easiest, most laid back ones I’ve ever had on this show, and that’s saying something, because this show can be pretty laid back.

Listen to LE 69 – Jenna Duncan

Best,
Jared

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