Tag Archives: Rosemarie Dombrowski

The Blarg No. 96: Annual Check-In with RD

You may notice that there was no Blarg 95. I’d started writing one. I don’t even remember what I was writing. It couldn’t have been that important. I was either recording or editing podcasts up until midnight, and I was just done. And that sort of continues to be the case.

I’m sure I’ve brought this up on multiple occasions, but I’m going to do it again, because it’s my Blarg, and I can complain if I want to. I am one half of the team that runs Hoot n Waddle. HnW, as our snazzy new banner says, is “An Independent Publishing and Digital Media Company,” and under that, I currently produce, record, and edit 6 podcasts (2 are in I guess what you would call pre-production), plus host or co-host 4 of them, and then I have to book guests on two of those; on the publishing side, there’s reading submissions, agonizing over selecting work to send acceptance letters, the demoralizing task of sending rejection letters, then there’s the editing, working with the writers…there’s a lot of stuff.

All of the above, plus the stress of the M-F, 9 to 5 (or 6-3 in my case), has led to a retreat to an unhealthy vice as a coping mechanism. Drinking is pretty much the only vice I have left—that and binge eating—and it’s getting to an unhealthy level. I was looking at the podcasts I’ve recorded over the past couple of weeks, and it occurred to me that I was drunk during the recording of every single one of them. If I didn’t say anything, you might not even notice (except for one of them, but I’ll let you figure out which one), but I know it, and it’s not something I’m proud of.

Consequently, I’m taking a little break. You’ve got this episode, the annual check-in with Rosemarie Dombrowski, then there’ll be next week’s episode, the annual music best of, which will be with Ashley Naftule this year (the RD and the music episodes are pretty much the only annual traditions we have), and that’ll be it for a little while. As I typed that I just realized that I may have one more time-sensitive one on the horizon… Other than that, though, I need to recharge, figure some things out, bank some interviews, and most importantly, find some new coping mechanisms that won’t kill my liver.

And having said all that, it’s not like you won’t hear a lot from me anyway—Jason and I are taking a short break between seasons of What the Fork?, but we’re going to do two special episodes in January; Jenna and I will still do a Hoot n Review every other week (though there may be a short break there as well); and then there’s the new podcast, Album Infinitum, which I’ll be prepping over the holidays for launch at the start of 2019. Trust me, there will be plenty of me out there for you to fill your head with. Probably too much.

Rosemarie Dombrowski is a professor at ASU’s downtown Phoenix campus, the inaugural Phoenix Poet Laureate, the founder of Rinky Dink Press, the author of three collections of poetry, and she would not be terribly happy if I continued to go on and on about all her awards, etc., it’s one of the things she talks about on this episode—along with so much more. So. Much. More. And that’s after I cut a chunk out.

It’s a lovely, fun conversation, and I’m so happy it’s on record.

Listen to LE 96 – Annual Check-In with Rosemarie Dombrowski:
(Apple Podcasts | Stitcher | Spotify | Website)

Best,

Jared

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The Blarg No. 66: Rosemarie Dombrowski

Get your kicks on The Blarg 66? (Sorry)

If anything can be said to be the modus operandi of 2017, it’s one step up, 2000 steps back; a minor victory followed by countless setbacks; a brief moment of surfacing for air, then right back under water. You get the idea. After a massive effort to keep a pedophile out of congress—a victory so narrow as to not avoid contention or dispute—that same congress voted to end net neutrality, and they’re currently working overtime to push through the most blatantly anti-constituency tax plan ever. To say that the battle is uphill is an understatement of massive proportions. At this point, there is such a disconnect between the government and the people that democracy is flat-out broken, and any meaningful change would take a complete reset—one that could be achieved through votes, but that would first involve a shift in philosophy for the majority of people—a need to make informed, moral, rational, open-minded decisions rather than knee-jerk choices made out of fear and anger.

Barring that, though, here’s an idea: just bench men. The entire gender. There are always exceptions, and I like to think I’m one of them, but another theme of 2017 (and I know it’s not any sort of revelation, believe me) is the inability of men to consider anything beyond the immediate satisfaction of their erection. That can be most obviously seen in sexual misconduct, but it should be pretty obvious that this is likewise the case with all the money boners out there. “You’re giving me how much money? You need me to vote in favor of what? No problem! It’ll screw over which people? The ones who voted for me? Fuck ’em.” So, yes, I’m proposing we take men out of the equation altogether. Who knows, maybe women won’t do any better, maybe they’re equally as corrupt, but I think it’s worth a shot, and my main point is that things are so deeply messed up right now that we’ve got to do something big, drastic, and sweeping in order to progress and break out of this system which is currently hellbent on not only maintaining an arcane, outdated ideology, but dragging us further back into the depths.

One more thing before I put the soapbox away: I am so very, very tired of the standard “man versus Man” defense. Can we just throw that one out? Feeling the need to distinguish yourself as a proper example of the gender doesn’t make you any better, because that is still, in some way, arguing for the superiority of the gender. What really distances you? Being a decent person, that’s what does it. It seems like gender—especially as identity becomes increasingly fluid—needs to move back into the realm of scientific over social function. There are few ideas more exciting than the one that we are the manifestations of our complicated, chemical neural makeup, and not defined by something as simple and arbitrary as the stuff between our legs.

This all has very little to do with my conversation with Rosemarie Dombrowski. Other than the fact that we do spend a fair amount of time discussing the role of art in times of social unrest, turmoil, etc. We also discuss what it means to be the poet laureate of Phoenix, the difference between being a community poet and a feature, and the life-cycle of writing from inception to publication. This also marks Rosemarie’s 3rd appearance on the show (first solo appearance) during December, thus keeping the tradition alive!

Rosemarie Dombrowski is a Senior Lecturer at Arizona State University’s Downtown Phoenix campus where she is the co-founder and faculty editor of the student and community writing journal, Write On, Downtown, and where she teaches courses on the poetics of street art, women’s literature, and creative ethnography. Her collections include The Book of Emergencies (Five Oaks Press, 2014), which was the recipient of a 2016 Human Relations Indie Book Award for Poetry, The Philosophy of Unclean Things (Finishing Line Press, 2017), and the forthcoming The Cleavage Planes of Southwest Minerals [A Love Story], winner of the 2017 Split Rock Review chapbook competition. She is also the inaugural Poet Laureate of Phoenix, AZ, the founder of merge poetry journal (2005-11) and rinky dink press, an editor for Four Chambers journal and press, and the co-founder and host of the Phoenix Poetry Series, now in its tenth year.

Listen to LE 66 – Rosemarie Dombrowski

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