The screening is over! At last I can put that portion of the Four Chambers Press manuscript submissions process (say that one five time fast) behind me. What makes it to the next round is in the hands of our immensely talented and good looking associate editors. Finishing the passage of judgement on hundreds of manuscripts in the same week where I received a rejection letter for my own was sort of prescient, I thought. As a writer, it’s hard not to feel the sting (or in some cases painful, painful stab) associated with the receipt of a rejection letter, but the perspective I’ve gained as an editor, and certainly through this initial screening process, has made my reaction much more practical—less total devastation, more, “well, fuck, that sucks.” You have to get over it and move on to the next thing.
There are so many variables in the submission process from the publisher’s viewpoint that a writer can only take it so personally. A publisher has limited resources and has to whittle a staggering amount of submissions down to a small number of projects that will be seen through to publication. Perhaps your manuscript had the misfortune of being too similar to the one read before it, or the one that was chosen for publication the previous year (I know that we like to believe our manuscripts are all unique snowflakes, but that just ain’t the case). Perhaps your style didn’t jive with the mood of the reader that day—editors are people, too. Maybe you missed something in the publisher’s submission guidelines and that rubbed the reader the wrong way. Which, taking off my writer cap and replacing it with my editor fedora, can I just say, it’s not that hard people—read the damn guidelines! Yeesh! Anyway, all you can do is keep doing the work, take your lumps, submit to the next publisher. Hell, submit to the same publisher next year—staff turns over, tastes change, etc.
This week’s show is the second half of my conversation with writer, editor, MFA candidate, and all around awesome lady, Leah Newsom. There is a lot of tattoo talk in this half, which I was very interested in, and may have changed my entire attitude on how I approach getting a tattoo. Be sure to check out the literary journal Leah co-founded, Spilled Milk.