Tag Archives: writing

The Blarg Nos. 101 – 109: L. S. Larson

Hey Folks,

It’s been a while. A lot has happened since the last edition of The Blarg, way too much to catch up on. If you’ve been listening to the show (and really, I have no idea why you’d read this and NOT listen to the show), then you know that, while Hoot n Waddle continues unabated, Janell and I have decided to split up. More accurately, Janell decided we should split up. I’ve had a couple of months to come to grips with this, and while I’m not there yet, I’m not going to get into all of that here. I’ve got a new place, I’m starting to look forward to being on my own for the first time in a while, and I’ve got SuSu, so there’s that (see the Ltd Instagram account for a lot of SuSu). There’s a lot going on, so I don’t have time to dwell, and that’s probably for the best.

San Francisco and Portland were great. It was nice to get out of Phoenix for a little bit and put HnW out in front of new audiences. The event for Ron Riekki’s Posttraumatic at Bird and Beckett went really well; I got to catch up with my friend, the poet and lyricist Kurt Lipschutz; and I’ve got the bonus of being able to say that HnW has books available in San Francisco. Portland was a blast—I loved being there, and can’t wait to go back. We made a lot of good connections at AWP, met several of our authors for the first time, and left feeling like we’re making good choices and moving in the right direction. Next year, San Antonio!

Things continue to be extraordinarily busy, and they’re only going to continue to ramp up which is why I haven’t done The Blarg in a while, so why, you may be asking, am I doing this one?

The answer to that is this week’s guest, L. S. Larson and the launch of the new immersive science fiction adventure novel for young readers, IGIST. L. S. is the pen name of Luke Larson, the president of a little company called Axon. While the novel is the central, driving force behind everything else surrounding it, there’s such an integral visual component that I decided to use The Blarg to give people a little glimpse into that aspect of things (see below). What I’m saying is, this shit’s pretty cool.

I get emails fairly regularly these days from people asking if I’d be interested in talking to them about their latest project, which is fantastic—it takes care of the worst part of booking guests: outreach. So when I got this email from L. S. Larson describing IGIST, asking if I’d want to talk about it on the podcast, I checked it out, thought it was a cool concept, and replied, Sure, let’s do it. The thing was that they wanted to do it in time to post prior to a launch event at the Arizona Science Center on 4/20, which meant that we had to do it that week, and I only had a couple of dates available. One of these dates was the same night as Axon HQ’s open house. As you know, I’m not one to research a guest outside of their project, because I prefer to learn about them in person—too much research makes the conversation stiff, and I’m really interested in the work and the creative process, so I had assumed that Axon was just IGIST’s parent company and they were welcoming people to check out their stuff. It certainly seemed like a company that would have that sort of thing, so imagine my surprise when I arrived at the address and saw the name on the building and connected the dots. (It’s a really cool building with interior components inspired by scenes out of classic sci-fi films.)

Now, if you’re not familiar with the name Axon, you’re probably familiar with Taser, which is the company’s flagship product, and what they used to be called just a few years ago. I’m a skeptic at heart, so when I walked in and met L. S./Luke and learned that he was the president of the company some alarm bells went off and I wished for the first time in four years that I’d done more research. Whenever a corporation is involved, I immediately start looking for what the angle is and get concerned that I’m being played, but I took the tour and I listened to the presentation, and I started to relax.

Yes, Axon is a publicly traded corporation, but their mission is one that I wholeheartedly support: to, in their words, “obsolete the bullet,” to provide the means of accountability and transparency in law enforcement, and non-lethal alternatives to deescalate a situation. As a pacifist and staunch anti-gun proponent, I’m on board.

After the open house, Luke and I went into one of the conference rooms and did the recording, and that’s when whatever reservations and skepticism I had vanished. IGIST is a passion project, a labor of love—a love of science fiction, a passion for writing, but more importantly, love for his three daughters and a desire to contribute positively to the anti-patriarchal movement. It’s all there in the conversation, and you can hear it for yourself. It doesn’t hurt that I’m also an unabashed sci-fi geek and Luke seems like the kind of guy I could just hang out with and shoot the shit.

So listen to the episode (available wherever you get your pods—please rate/review while you’re at it) and check out IGIST (see the book trailer and some examples of the artwork below). As I mentioned, there’s a launch event coming up at the Arizona Science Center on 4/20, it’s free to attend, and it’s a fun thing to do with the kids on a Saturday afternoon.

Best,

Jared Duran

Listen to LE 109 – L.S. Larson

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The Blarg No. 96: Annual Check-In with RD

You may notice that there was no Blarg 95. I’d started writing one. I don’t even remember what I was writing. It couldn’t have been that important. I was either recording or editing podcasts up until midnight, and I was just done. And that sort of continues to be the case.

I’m sure I’ve brought this up on multiple occasions, but I’m going to do it again, because it’s my Blarg, and I can complain if I want to. I am one half of the team that runs Hoot n Waddle. HnW, as our snazzy new banner says, is “An Independent Publishing and Digital Media Company,” and under that, I currently produce, record, and edit 6 podcasts (2 are in I guess what you would call pre-production), plus host or co-host 4 of them, and then I have to book guests on two of those; on the publishing side, there’s reading submissions, agonizing over selecting work to send acceptance letters, the demoralizing task of sending rejection letters, then there’s the editing, working with the writers…there’s a lot of stuff.

All of the above, plus the stress of the M-F, 9 to 5 (or 6-3 in my case), has led to a retreat to an unhealthy vice as a coping mechanism. Drinking is pretty much the only vice I have left—that and binge eating—and it’s getting to an unhealthy level. I was looking at the podcasts I’ve recorded over the past couple of weeks, and it occurred to me that I was drunk during the recording of every single one of them. If I didn’t say anything, you might not even notice (except for one of them, but I’ll let you figure out which one), but I know it, and it’s not something I’m proud of.

Consequently, I’m taking a little break. You’ve got this episode, the annual check-in with Rosemarie Dombrowski, then there’ll be next week’s episode, the annual music best of, which will be with Ashley Naftule this year (the RD and the music episodes are pretty much the only annual traditions we have), and that’ll be it for a little while. As I typed that I just realized that I may have one more time-sensitive one on the horizon… Other than that, though, I need to recharge, figure some things out, bank some interviews, and most importantly, find some new coping mechanisms that won’t kill my liver.

And having said all that, it’s not like you won’t hear a lot from me anyway—Jason and I are taking a short break between seasons of What the Fork?, but we’re going to do two special episodes in January; Jenna and I will still do a Hoot n Review every other week (though there may be a short break there as well); and then there’s the new podcast, Album Infinitum, which I’ll be prepping over the holidays for launch at the start of 2019. Trust me, there will be plenty of me out there for you to fill your head with. Probably too much.

Rosemarie Dombrowski is a professor at ASU’s downtown Phoenix campus, the inaugural Phoenix Poet Laureate, the founder of Rinky Dink Press, the author of three collections of poetry, and she would not be terribly happy if I continued to go on and on about all her awards, etc., it’s one of the things she talks about on this episode—along with so much more. So. Much. More. And that’s after I cut a chunk out.

It’s a lovely, fun conversation, and I’m so happy it’s on record.

Listen to LE 96 – Annual Check-In with Rosemarie Dombrowski:
(Apple Podcasts | Stitcher | Spotify | Website)

Best,

Jared

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The Blarg No. 93: LIVE with Andrea Scarpino and Matt Bell

The holidays are a problematic time of year for me, or at least they have been historically. The fact that my birthday is December 22nd didn’t help much, nor did a dysfunctional family life, or working in retail for more than 15 years. The season has pretty much been ruined for me—at least from a traditional consumerist and familial standpoint. The season and weather on their own comprise my favorite time of year. One of the perks of living in Arizona, I suppose.

Not working in a retail setting any longer, I actually manage to get Thanksgiving weekend off. It’s been great. I probably should have been doing a lot more work, but I needed a break. I edited and put up this episode of Limited Engagement, put up the new What the Fork?, but that’s pretty much it. There are manuscripts to be read, I’ve got a number of new podcasts to edit—it’ll all wait. I’ve decided instead to start watching James Bond from the beginning. As I’m writing this, I’m also watching Dr. No. I’ve seen almost all of the James Bond films, but it’s been quite some time for most of them, and there are a couple of the Daniel Craig films that I’ve never seen. This renewed interest, I have to say, was spurned on by discovering and listening to the James Bonding podcast with Matts Gourley and Mira.

There’s a lot of peril in revisiting something like this, because of the racism, sexism, and so forth. There are some properties best left in the past, but I couldn’t resist. Dr. No is exactly as awful and simultaneously wonderful as I could have hoped for. There has got to be some sort of allowance for the magic and power of classic cinema, or what have we got left? Nothing is perfect, it’s never going to be, and if I can’t enjoy an old film despite all of its inherent social flaws, what’s the point? Of anything? We can’t go back and fix everything, because that’s not progress. James Bond is a racist, sexist, bigoted, terrible human being. I’m still going to enjoy the films. I’m a pacifist, but I love a good war epic. I don’t think our entertainment necessarily has to reflect our values. Especially when it’s 50 years old.

I don’t know exactly where I’m going with that, and I’m going to go ahead and bypass the soapbox rather than stand on it.

Longtime listeners to the podcast will know that it’s been well over a year since I’ve done a live edition of Limited Engagement. There are a number of reasons for this, most of which I’ve already discussed at length, so I don’t see the point in going over them again. Having gone so long without doing one, though, I was more than a little bit apprehensive. With how stressed and anxious I’ve been lately, I had some serious doubts as to whether I’d have my mojo working. It seems like everything went okay. I apparently now have some sort of “podcast host brain” that kicks in as soon as the recording starts. The questions and conversation just flow. I don’t know, maybe I’m wrong. You as the listener will be the final judge.

Regardless of where you come down on the quality of my abilities as a host, there’s no arguing that Andrea Scarpino and Matt Bell are fantastic guests. This is another one of those indispensable craft talks for anyone looking to grow and learn as a writer. Andrea’s latest collection, Once Upon Wing Lake, has just been republished by Hoot n Waddle, so you can get that through our shop or locally through Changing Hands bookstores, and Matt’s latest, A Tree or a Person or a Wall, is available wherever books are sold. Matt and Andrea are both wonderful writers, and I cannot recommend their work highly enough.

I’d just like to round back to the holidays quickly before I wrap this up. They can often be extraordinarily stressful and depressing, and should you find yourself in a position where you need to reach out, I’d like to make myself available. If you write to ltd.engagement@gmail.com, I will respond to you and attempt to be useful to you in whatever way I can–even if that is simply being a sympathetic ear.

Cheers and best wishes to you,

Jared

Listen to LE 93 – LIVE with Andrea Scarpino and Matt Bell

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The Blarg No. 92: J. Gonzo

I’m waiting to be seated so that I can order some pancakes and more coffee. The reason for this is that I’m having my windshield replaced, and it’s in Scottsdale, and it made more sense to walk and get pancakes than it did to have Janell drive us the 20 minutes home, wait for an hour, and then drive the 20 minutes back. It’s irritating, I haven’t even had this car for a month, and already it’s costing me more money. This is when I wish I lived in a city that has a great public transit system, or where I could walk to everything, or that I worked from home. On the one hand, I love the freedom of being able to just hop in the car and go wherever; on the other, I would give up owning a car in a second. It’s such a headache! And if I really want to go somewhere, I can rent a car.

Anyway, pancakes sounded like a good idea, so here we are.

When last I blarged (how pretentious does that sound?), the Arizona senate race was still undecided. I’m happy to say that the state I call home, for lack of a better word, finally has a Democratic representative. I’m not so happy that it’s the problematically centrist Sinema, but what are you gonna do? It’s still Arizona.

Not too long ago, I had the immense pleasure or seeing Marc Maron at StandUp Live in Phoenix, and leading up to that, there was a Tweet posted by a local artist who’d created a poster to commemorate the occasion, which Maron re-tweeted saying something along the lines of, Let’s make this happen, which I was excited about, because it seems like everywhere else Maron performs gets a cool poster, but last time he played Phoenix, nothin’. I loved the poster, and purchased one the night one the night of the show, and was like, it’s been a while since I’ve had an artist on the show, I should check this guy out.

It turns out it’s a super small world, and even though J. and I had never met prior to recording the podcast, we have a ton of people in common—my buddy Ernie is friends with John Derrick West who’s friends with J.; J. is friends with and has worked with Alex Empty who’s the husband of my friend (and previous LE guest) Leah Newsom; and just the day before, I got my copy of Tapestry Comics’ A Flower in a Field of Lions with the limited edition alternate cover, and I noticed that it was done by…J. Gonzo. Like I said, small world.

A lot of you who listen to this show are artists, writers, musicians, creative types, and you, like me, are trying to figure out how to make a living with your art, and this conversation with J. is a great resource. He’s someone who has worked hard to make a sustainable living doing what he loves, and he’s done it. He’s worked for big design firms and Todd McFarlane’s company, and most people would be satisfied with that, but he’s gone on to create his own graphic design business and made a name for himself as an independent comic book creator with his series, La Mano del Destino. Along the way, he’s done work as a tattoo artist, done freelance work, worked the convention circuit, and at the end of the day, even though it’s a shit ton of hard work, he gets to say that he makes a living doing what he loves.

It’s Thanksgiving week, and I know that’s a tough time for a lot of us. I hope you enjoy the time off, if not the holiday itself. If you’re unfortunate enough to work in retail, I feel for you. I did that for a long time. It was miserable.

Best,
Jared

Listen to LE 92 – J. Gonzo

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LE 89: Tyler Button

Oy, okay, what do I want to talk about this time?

Well, first of all, make sure you vote. At least in Arizona, you only have a couple more days to get your early ballot in the mail, so if you’re going to do that, get it done. Otherwise, go to the polls. Vote, and vote informed. Research the propositions. Research the judges. Look at who is running for the school board positions. These local things matter, and they matter a whole fucking lot.

Other than that, it’s just been really crazy busy. We had a really good turnout for the launch of David Chorlton’s Reading T. S. Eliot to a Bird (which you can get here). I’m about to go into editing a new podcast called Album Infinitum, which is a music podcast focusing on one artist, one album at a time. The first artist is Aimee Mann, and the guests I had on to discuss the albums are fantastic, so look forward to that in early November.

Oh, also, I had a mild panic attack the other day. They’re happening more frequently. And my anxiety ebbs and flows, but never seems to truly subside. I can’t relax. It’s a real problem.

I’ve just got too much stuff running around my head all the time, and I’m not sleeping well. I started taking melatonin to see if that helps.

Tyler Button founded Tapestry Comics in 2015 with the aim of “creat[ing] the most exciting and interesting books retelling the greatest tales from our past.” On this edition of Limited Engagement, Button discusses turning one of his passions into a business, working with comic book artists, being a full time dad, and we have a deep philosophical discussion about what it takes to be a successful creative in the social media age as well as what it takes to keep that alive and viable in Phoenix.

Best,
Jared

Listen to LE 89 – Tyler Button

Ooh—one other thing. We’ll be back next week, because I have a conversation with The Blood Feud Family Singers that needs to go up, which means we may be going weekly. Stay tuned.

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The Blarg No. 80: Philip Haldiman

80 episodes!

First, though, a quick note of thanks to everyone for the feedback on the intro to the last episode. I was nervous about making myself vulnerable to an audience of listeners, but I felt like it had to be done. Depression, anxiety, feeling overwhelmed, it helps to talk about what’s going on, and as a podcast listener, it helps to hear other people going through similar issues, to relate and empathize, so to not open up would have felt dishonest. Again, thanks for listening, and thanks for the feedback.

But, 80 episodes—fuck, man! I don’t know if it’s ever going to sink in that this is a program other people are interested in, that it’s something other people consider worth their time—it’s mind blowing. As of writing this, Limited Engagement has already had more listeners in the first six months of 2018 than we had in all of 2017, which means, at this rate, we might actually double last year’s number. It’s nuts. If you’re reading this and you listen to the podcast (which, really, I’m not sure why you’d read this if you aren’t a listener), my gratitude runs deep. But, also, please rate and review us on iTunes/Apple Podcasts–listens are amazing, and ratings help us get more listens.

Quick Hoot n Waddle plug: we’re taking pre-orders for our first book, Chris Danowski’s DOGSEAR. You can get the book by itself, or purchase a bundle with a t-shirt or poster or both, and there’s a discount on the bundles exclusively for folks who pre-order online. Chris has written a fantastic book, and I am immensely proud to be publishing it.

My guest for our 80th episode is Philip Haldiman. Phil is known to a large swath of rabid fans as Denny from the cult classic film, The Room. In our conversation, Phil discusses what life is like as a member of the pop culture zeitgeist, the comic book he’s written about his Hollywood experience, My Big Break, and much more. Learn more about Phil’s work on his website.

Also on the show, a brief snippet from an upcoming episode of LE of a conversation I had with Tony Moschetti, who is the host of the Starving Artist PHX podcast and a co-founder of Laughing Pig Theatre. Laughing Pig’s original production, Survival Skills, begins a run of four performances at Mesa Arts Center on June 29th. Get your tickets on Ticket Leap and use the code PODCAST at checkout to receive $5 off per ticket.

Listen to LE 80 – Philip Haldiman

Best,

Jared

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The Blarg No. 78: Katie Manning

As I write this, it’s Phoenix Comi—sorry, sorry, Phoenix Comic Fest time! Like the High Holidays, but for nerds, such as myself. We walk the halls en masse, we recognize each other’s costumes and t-shirts without irony, we buy stuff we absolutely do not need. It’s amazing. It will also be over by the time you read this, so if you went as well, I hope we all had a good time.

Phoenix New Times listed us in their list of “Phoenix Podcasts You Need to Hear”, which is really cool. It’s really surreal to see the podcast getting more and more attention. I’ve been doing this show for three years now, and I can’t tell you how many times I wondered to myself if anyone was even listening, let alone thinking it was any good. I’d like to take a brief moment to thank everyone who’s been a guest on the show, and a few people who have been particularly supportive: Leah LeMoine, Mike Pfister, Amy Hagerty, and Cynthia Black.

Quick bit of business: Hoot n Waddle, our little publishing and digital media company, is currently accepting manuscript submissions via Submittable. Please read the guidelines, and if you have anything that fits the bill, please send it our way.

On this edition of Limited Engagement, I talk with poet and professor, Katie Manning. Tasty Other, Manning’s first full length collection of poetry and the recipient of the 2016 Main Street Rag Poetry Book Award, chronicles the experience of her first pregnancy through surrealistic dream, religious allusion, and striking imagery that conveys all the love, hope, and anxiety that clinical texts can’t begin to relate. Get yourself a copy of Katie’s book.

Listen to LE 78 – Katie Manning

Best,

Jared

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